Pirelli Tower, Milan (1956–1961), interior, In 1923, Ponti was appointed artistic director of Richard Ginori, one of Italy's leading porcelain manufacturers, based in Milan and Sesto Fiorentino, changing the company's whole output through the involvement of some of the main Italian artists of the time, including the sculptor Salvatore Saponaro. With the Bijenkorf department store in Eindhoven in the Netherlands (1966–1969), Ponti proposed another solution, by creating a tiled façade for an existing building. 1948: Coffee machine La Cornuta for La Pavoni. Ponti continued to create wall and floor coverings whose graphic rendering becomes a work of art in itself. Foliage patterns were developed on tiles for Ceramica D'Agostino. Ponti fu un poliedrico architetto, costumista teatrale, ceramista, pittore mancato, professore di architettura e inesauribile designer (sue, le note “Visetta” e “Superleggera“). A similar process was used in 1978 to cover the facade of the Shui Hing department store in Singapore. Asta 129 / Lotto 345: GIO… 1928 Nella rivista hanno spazio non solo le opere architettoniche, ma anche quelle di design e le opere d’arte. La prima casa nel … Giò PONTI (1891-1979) è un artista nato nel 1891. 1929 He also founded the Labirinto group, with Tomaso Buzzi, Pietro Chiesa and Paolo Venini, among others. The Hotel Parco dei Principi in Sorrento was one of the first design hotel in Italy. Informatevi sulle opere di Gio Ponti attualmente offerte e vendute presso la casa d’aste Dorotheum. The Labirinto unique piece furniture was made of luxurious materials; at the same time, he designed Domus Nova with Emilio Lancia, a furniture collection with simple lines that was produced in series and sold by the Milanese department store La Rinascente. The art historian Nathan Shapira, his student and disciple, organised that same year, with the help of Ponti, his first retrospective exhibition which travelled the United States for two years. Ponti died on 16 September 1979. 1952–1958: Italian cultural institute, Carlo Maurillo Lerici Foundation. Thanks to his involvement, the Biennale underwent tremendous development: renamed the Triennial of Art and Modern Architecture in 1930 and relocated to Milan in 1933, it became a privileged place to observe innovation at the international level. His most famous works are the Pirelli Tower, built from 1956 to 1960 in Milan in collaboration with the engineer Pier Luigi Nervi, the Villa Planchart in Caracas and the Superleggera chair, produced by Cassina in 1957. In 1941 Ponti he resigned as editor of Domus and set up Stile magazine, which he edited until 1947. [13] After this major success, Ponti played a major role in the modernisation of Italian decorative arts, especially thanks to his involvement in the Monza Biennials and the Milan Triennials. In these years he was influenced by and associated with the Milanese neoclassical Novecento Italiano movement. - Levanto (Genova), Partecipazione alla costruzione del Monumento ai Caduti in Piazza Sant’Ambrogio 1951: Interior design of the ocean liner Oceania for Lloyd Triestino. 1935–1936: Interior design and furnishing of the Italian cultural institute, Lützow-Fürstenberg Palace. 1932 1957–1959: Carmelite convent, Bonmoschetto. - Milano, Villa Bouilhet "L' ange volant" a Garches, Parigi, Francia Still published today, Domus is a reference in the fields of architecture and design. [19] The aim of this review was to document all forms of artistic expression in order to stimulate creation through an independent critical perspective. Over the years, the magazine became more international and played an important role in the evolution of Italian and international design and architecture. 1934–1940: Faculty of the Arts, Il Liviano. 1929-1931 1931, Tre librerie per le Opera Omnia di D’Annunzio He also married Giulia Vimercati in 1921; they had four children (Lisa, Giovanna, Letizia, and Giulio) and eight grandchildren. Al MAXXI di Roma la mostra intitolata a Gio Ponti, architetto e designer. 1964–1970: Montedoria building, via Pergolesi. The pieces were presented at the first decorative arts biennial in Monza in 1923. Ponti died on 16 September 1979. 1927 - Oropa, Illustrazione di "La casa della cortigiana" di Oscar Wilde 1924, Casa in Via Randaccio 9 a Milano 1934–1935: Domus Adele (Magnaghi and Bassanini building), viale Zugna. 1920, Illustrazione de "La ballata del carcere di Reading" di Oscar Wilde He fought in the Pontonier Corps with the rank of captain, from 1916 to 1918, receiving the Bronze Medal and the Italian Military Cross. The Gabriela chair (1971) with a reduced seat, as well as the Apta furniture series (1970) for Walter Ponti, illustrated this new way of life. Gio Ponti, promotore dell’industrial design italiano, propone la produzione in serie nell’arredo d’interni come soluzione “sofisticata”, economica, “democratica” e moderna. Ceramic sanitaries for Ideal Standard, 1954 ca. [1] During his career, which spanned … Together, they imagined in 1938 the Albergo nel bosco on the island of Capri, a hotel designed as a village of house-bedrooms, all unique and scattered in the landscape. He was involved in many projects, particularly in his native city of Milan. - Levanto (Genova), 1931 Gio Ponti Architetto, designer e artista, Gio Ponti (Milano 1891-1979) si laurea a Milano nel 1921 e si associa inizialmente con Emilio Lancia e Mino Fiocchi dal 1927 al 1933. E' una banca dati, fondata sui materiali fotografici provenienti dallo studio Ponti, riordinati dalla figlia Lisa, in occasione dell'edizione del suo libro "Gio Ponti, l'opera", e su importanti integrazioni con nuove foto, schedature  e raccolta di dati, effettuate da Salvatore Licitra dal 1996 in poi. Vaso ad orcino Gio Ponti, Stuoia 1923 1925 – La prima casa che progettò ed abitò Nel 1925 progettò la sua prima casa a Milano, una palazzina in via G. Randaccio n. 9, d’ispirazione neoclassica (cioè … At night, a lighting system highlighted its contours. per quanto riguarda le opere d'arte originali che rende disponibili attraverso i Servizi, è il creatore e/o autore di tutte queste Opere d'arte originali ed è il solo ed esclusivo proprietario delle Opere d'arte e … During his career, which spanned six decades, Ponti built more than a hundred buildings in Italy and in the rest of the world. [7] In the late 1930s, Ponti deepened his research on Mediterranean housing by collaborating with writer and architect Bernard Rudofsky. On this occasion, he made friends with Tony Bouilhet, director of the silversmith company Christofle. 1946: Objects in papier-mâché in collaboration with Enrico and Gaetano Dal Monte. the chair, which was very strong but also so light that it can be lifted by a child using just one finger. 1960–1964: Tiling for Ceramica d'Agostino. 1926–1928: country house l'Ange volant. He also obtained the Accademia d'Italia Art Prize for his artistic merits, as well as a gold medal from the Paris Académie d'Architecture. This small oval building was covered with white and green ceramic tiles, both inside and outside, including the roof. Ricorre oggi l’anniversario della nascita di Gio Ponti, architetto. 1933–1938: Case tipiche (typical houses), via Letizia and via del Caravaggio. – Nacque a Milano il 18 novembre 1891 da Enrico e da Giovanna Rigone, in una famiglia molto rappresentativa della borghesia imprenditoriale lombarda. From the beginning of his career, Ponti promoted Italian creation in all its aspects. Nato a Milano il 18 novembre 1891, Gio Ponti è oggi considerato uno dei maestri dell’architettura e del design italiano. 1920 -1930, Ceramiche e porcellane per Richard-Ginori, Manifattura di Doccia, Sesto Fiorentino (Firenze) e San Cristoforo (Milano) Within the new multidisciplinary review of art, architecture and interior design Domus, which he founded in 1928 with the publisher Gianni Mazzochi and which he directed almost all his life, Ponti had the opportunity to spread his ideas. 1935–1937: Paradiso del Cevedale hotel, Val Martello. [8] Construction continued in Milan. Vengono pubblicati artisti carissimi a Gio Ponti, due su tutti, Piero Fornasetti (1913-1988) e Fausto … Ponti also offered to Domus readers detailed plans of a circular house called Il scarabeo sotto la foglia (1964– The beetle under a leaf). It was symbolized by the hexagonal shape of the diamond that Ponti used in many of his creations. 1961–1963: Facade of the Shui Hing department store, Nathan Road. 1930 He then applied this solution to domestic spaces and offices, with "organised walls". Together with the Galfa Tower by Melchiorre Bega (1956–1959) and the Velasca Tower (1955–1961) of the BBPR Group, this skyscraper changed Milan's landscape. Opere. 1928 - Venezia, Disegni per ricami su seta per la Scuola di Cernobbio Check: Publix Weekly Ad and Kroger Weekly Ad. 1931–1936: Case tipiche (typical houses), via de Togni. 1944: Sets and costumes for the ballet Festa Romantica by Giuseppe Piccioli. Giovanni Ponti, meglio noto come Gio Ponti, nasce a Milano il 18 novembre 1891 e, dopo il liceo classico, nel 1913, si iscrive alla Facoltà di Architettura del Politecnico di Milano. 1952: Interior design of the ocean liner Africa for Lloyd Triestino. 1959: Auditorium of the Time-Life Building, Sixth Avenue. 1961–1964: San Francesco al Fopponino church, via Paolo Giovio. Dipinge su perspex, piega con … - Architetto e designer italiano (Milano 1891 - ivi 1979). The bottles evoke stylized female bodies. - Milano, Disegni per stoffe stampate per De Angeli-Frua This concept applied to architecture as well as art and design. 1970: Apta furniture for Walter Ponti, San Biagio. 1928: Borletti building, via San Vittore. This villa has since been destroyed. 1961: Design of the Mostra internazionale del lavoro, Italia'61. “Gio Ponti Archives” ha sede nei locali che erano lo studio di Gio Ponti, nell'edificio da lui progettato e abitato in via Dezza 49 a Milano. - Monza, Arredamento per una cabina di lusso su un transatlantico per la IV Triennale di Monza Modular, it was enlivened thanks to the non-uniform arrangement of its openings with various shapes. PONTI, Giovanni (Gio). [7] From 1943, due to the Second World War, his activity as an architect slowed down. 1936: Design of the universal exhibition of the catholic press, 1936–1942: Artistic direction and interior design of the Aula Magna, basilica and administrative building of. [6] Ponti chose bright and functional spaces with simple lines, including a fan-shaped building that housed three amphitheaters. Ponti's parents were Enrico Ponti and Giovanna Rigone. Photographs, drawings, letters, documents, critical texts. 1928 In the United States, he participated in the exhibition Italy at Work at the Brooklyn Museum in 1950, and created furniture for Singer & Sons, Altamira, and cutlery for Reed & Barton ("Diamond" flatware, 1958),[16] adapted for production by designer Robert H. Ramp). - Garches, Parigi, Francia, Concorso per l’arredamento di una Ambasciata Italiana sul suo lavoro nel campo dell'architettura, … Gio Ponti morì a Milano nel 1979. Giovanni "Gio" Ponti (18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.[1]. 1938: Design of the "Mostra della Vittoria", Fiera di Padova. - Milano, Taverna Ferrario a Palazzo Mezzanotte La quotazione e gli … - Varedo (Milano), Arredamento Contini-Bonacossi Other collaborations were established, in particular with the Dal Monte brothers, who specialised in the production of papier-mâché objects, the ceramist Pietro Melandri, the porcelain manufacturer Richard Ginori and the Venini glass factory in Murano. 1935–1936: Laporte house, via Benedetto Brin. This fruitful collaboration, during which they designed furniture and many interiors where ornament and fantasy prevailed (Palazzo del Bo in Padua – 1940, Dulcioria pastry shop in Milan–1949, Sanremo casino – 1950, the liners Conte Grande – 1949 and Andrea Doria – 1950, etc. [1] In Caracas, Ponti had freedom to accomplish one of his masterpieces: the Villa Planchart (1953–1957), a house designed as a work of art on the heights of the capital, immersed in a tropical garden. The 1970s began with the inauguration in 1970 of the Taranto Cathedral, a white rectangular building topped with a huge concrete facade perforated with openings. [16] It was also in 1940 that he began working with the decorator and designer Piero Fornasetti. 1938–1949: Columbus clinic, via Buonarotti. [4], Still in Milan, the 108-meter-high (354 ft) Littoria Tower (now Branca Tower), topped by a panoramic restaurant, was built in 1933 on the occasion of the Fifth Triennial of Decorative Arts, which inaugurated its new headquarters built by Giovanni Muzio. It was also in the mid 1960s that he befriended art critic Pierre Restany, who became a regular contributor to the Domus magazine. - Milano, Mobili per Studio L’Officina In 1952, he created a new agency with Antonio Fornaroli and his son-in-law Alberto Rosselli. Assertore di una riforma architettonica e decorativa che si riflette nelle diverse manifestazioni della … This period corresponded to a period of reflection in which Ponti devoted himself to writing and designing sets and costumes for theatre and opera, such as Igor Stravinsky's Pulcinella for the Triennial Theatre in 1940, or Christoph Willibald Gluck's Orfeo ed Euridice for the Milan Scala in 1947. Marco Romanelli, Licitra Ponti, Lisa (ed. 1931 In the 1950s, and thanks to his role in the Domus Magazine, Ponti was internationally known and commissions were multiplying, with constructions in Venezuela, Sweden, Iraq and projects in Brazil. 1977–1978: Facade of the Shui Hing department store. 1927-1930 Margherita Rossi. - Milano, Negozio del parrucchiere Malagoli in Piazza Virgilio 1971: Gabriela chair for Walter Ponti, San Biagio. - Firenze, Banca Unione sede centrale (poi Barclays Castellini) in Via S.ta Maria Segreta 1926, Oggetti in peltro ed argento per Christofle (inizio della collaborazione) [16] From its fruitful collaboration with Cassina, the Leggera and Superleggera (superlight) chairs, the Distex, Round, Lotus and Mariposa chairs are now among the classics of Italian design. With the church of San Francesco al Fopponino in Milan (1961–1964), he created his first façade with perforated hexagonal openings. 1930: Furniture and objets for Fontana Arte. 1932 Ponti also deepened his reflection on the skyscraper with a project of triangular and coloured towers (1967–1969). 1920, Disegni anni '20 Ponti also coordinated the Italian and European editions of the Eurodomus design exhibitions, including the exhibition "Formes italiennes" in 1967 at the Galeries Lafayette in Paris. Venduto a € 15.000 + d.a. At the turn of the 1940s, architectural projects continued initially for Ponti, with the construction of the Columbus Clinic (1939–1949) in Milan, and the interior design of the Palazzo del Bo at the University of Padua where he carried out a monumental fresco on the stairs leading to the rectorate. The furniture also became flexible and space-saving in order to optimise space. - Milano, Casa in Via Domenichino Ponti is also involved in the project to expand the new university campus in Rome, led by the urban planner Marcello Piacentini by designing the School of Mathematics school, inaugurated in 1935. 1928 - Milano, Mobili per La Rinascente-Domus Nova 1928 Starting from the traditional chair model, originating from the village of Chiavari in Liguria, Ponti eliminated all unnecessary weight and material and assimilated the shape as much as possible to the structure, in order to obtain a modern silhouette weighing only 1.7 kg. Tratti distintivo del design di Gio Ponti, la pulizia formale di ogni progetto, la visione integrale e contestualizzata di ogni soluzione arredativa e da un … - Milano, Mobili per "Il Labirinto" Ponti began his architectural career in partnership with Mino Fiocchi and Emilio Lancia from 1923 through 1927, and then through 1933 with Lancia only, as Studio Ponti e Lancia PL. 1931 - Milano, Arredamento Schejola in Via Pisacane Tra le sue opere più … 1931–1932: Interior design of the restaurant Ferrario, Milan stock exchange. 1928 Other outputs of the time include the 1928 Monument to the Fallen with the Novecento architects Giovanni Muzio, Tomaso Buzzi, Ottavio Cabiati, Emilio Lancia and Alberto Alpago Novello, The 1930s were years of intense activity for Ponti. - Milano, Partecipazione al concorso per il Piano Regolatore di Milano "Forma Urbis Mediolani" - Monza, “Casa delle vacanze” alla quarta Triennale di Monza Milano è la città dove Gio Ponti realizzò molte delle sue opere. 1952: Architecture studio Ponti-Fornaroli-Rosselli, via Dezza. Le più importanti opere di Gio Ponti a Milano. With the artist and enameller Paolo De Poli, they created enamelled panels and brightly colored furniture. Scoprite Gio Ponti. In 1964, he organised a series of exhibitions in the Ideal Standard showroom in Milan, named "Espressioni", featuring a generation of talents such as Ettore Sottsass, Bruno Munari, Achille Castiglioni, Nanda Vigo, Enzo Mari or the artists Lucio Fontana and Michelangelo Pistoletto. The sky and light became important protagonists of his architecture. At the turn of the 1950s, Ponti deployed a prolific creation where he sought to combine aesthetic and functional requirements: the espresso machine for La Pavoni in 1948 and the Visetta sewing machine for Visa (1949), textiles for JSA, door handles for Olivari, a range of sanitary facilities for Ideal Standard, cutlery for Krupp Italiana and Christofle, lighting for Arredoluce and furniture for the Swedish department store Nordiska Kompaniet. 1931, “Case Tipiche”: Domus Julia, Domus Carola e Domus Fausta in Via De Togni 1953: Furniture and organized walls for Altamira, 1956: Enameled cooper objects and animals in collaboration with. In 1970, Ponti presented his concept of an adapted house (casa adatta) at Eurodomus 3 in Milan, where the house is centred around a spacious room with sliding partitions, around which the rooms and service areas gravitate. Le migliori offerte per L'esperienza moderna 1957-1959. In the 1920s, Ponti began numerous collaborations, notably with the silverware company Christofle, the glassmakers Venini and Fontana Arte. 1928 Dessert spoon and fork (Sabattini); photo 1963. [18] Some of his furniture is now being reissued by Molteni&C. 1930-1936, Lampade per Fontana Arte [11][12] He completely renewed the iconographic repertoire by freely revisiting the classical tradition. 1931 They were used for the interior decoration of the hotels Parco dei Principi in Sorrento (1960) and in Rome (19611964). 1927, Vestibolo a "Le salette" a La Rinascente-Domus Nova With Ceramica D'Agostino, he designed tiles with blue and white or green and white motifs that once combined create different more than a hundred motifs. PROGETTISTA Gio Ponti, A. Fornaroli, A. Rosselli, con Valtolina, Dell'Orto DESTINAZIONE D'USO Edifici per uffici INDIRIZZO P.za Duca D'Aosta 3 , Milano 1952 - 1961 Conceived as large-scale abstract sculpture, it can be seen from the inside as an uninterrupted sequence of points of view where light and color prevail. 1939: Competition for the Palazzo dell'Acqua e della Luce ("Palace of Water and Light") for the E42, 1949: Interior design of the ocean liners Conte Biancamano and Conte Grande for, 1950: Interior design of the ocean liners. Lavorò tantissimo a Milano con opere … GIO PONTI (1891-1979) AND TOMMASO BUZZI (1900-1981) A Glazed and Parcel-Gilt Ceramic Three-Part Centerpiece 'Trionfo da Tavola', 1926-27 comprising Italia, Delfino con bimbo and Cavallo Marino … 1945: Furniture for Saffa, "La casa entro l'armadio" (the house in the wardrobe), 1945: Sets and costumes for the ballet Mondo Tondo by. 1920, Disegni di architettura anni '20 1932-1935, © Gio Ponti Archives | Tutte le immagini e i testi sono coperti da copyright, 1926 A block away, in via Dezza, Ponti built a nine-story apartment building, which housed his family. - Varedo (Milano), Illustrazione di "La casa della cortigiana" di Oscar Wilde, Illustrazione de "La ballata del carcere di Reading" di Oscar Wilde, Ceramiche e porcellane per Richard-Ginori, Manifattura di Doccia, Sesto Fiorentino (Firenze) e San Cristoforo (Milano), Villa Bouilhet "L' ange volant" a Garches, Parigi, Francia, Concorso per l’arredamento di una Ambasciata Italiana, Oggetti in peltro ed argento per Christofle (inizio della collaborazione), Vestibolo a "Le salette" a La Rinascente-Domus Nova, Padiglione dell’Industria Grafica e Libraria alla Fiera Campionaria, Partecipazione al concorso per il Piano Regolatore di Milano "Forma Urbis Mediolani", Stand della Richard Ginori alla Fiera Campionaria, Partecipazione alla costruzione del Monumento ai Caduti in Piazza Sant’Ambrogio, Sistemazione della “Rotonda” del Padiglione Italiano alla 16° Biennale di Venezia, Disegni per ricami su seta per la Scuola di Cernobbio, Negozio del parrucchiere Malagoli in Piazza Virgilio, Cappella Borletti al Cimitero Monumentale, Disegni per stoffe stampate per De Angeli-Frua, Fontana Arte (inizio della collaborazione), Grande tavolo in alluminio presentato alla 4° Triennale di Monza, Arredamento per una cabina di lusso su un transatlantico per la IV Triennale di Monza, “Casa delle vacanze” alla quarta Triennale di Monza, Tessuti per Vittorio Ferrari (inizio della collaborazione), Posate ed altri oggetti per Krupp Italiana (Inizio della collaborazione), Tre librerie per le Opera Omnia di D’Annunzio, Banca Unione sede centrale (poi Barclays Castellini) in Via S.ta Maria Segreta, Progetto per una casa d'abitazione in città, “Case Tipiche”: Domus Julia, Domus Carola e Domus Fausta in Via De Togni, Stabilimento Italcima all’angolo tra Via Crespi e Via Legnone. Durante la guerra visita le … From 1950 to 1955, he was also in charge of the urban planning project for the Harar-Dessiè social housing district in Milan with architects Luigi Figini and Gino Pollini. Industrial design: 1923 Ceramiche e porcellane per Richard-Ginori; 1927 Oggetti in peltro ed argento per Christofle; 1930 Grandi pezzi in … Giovanni "Gio" Ponti (18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher. He designed a considerable number of decorative art and design objects as well as furniture. 1955–1960: San Luca Evangelista church, via Vallazze. Ad ottant'anni Gio Ponti realizza ancora opere memorabili quali la Concattedrale di Taranto (1970) ed il Denver Art Museum . He participated in the redevelopment and interior design of several Italian liners (Conte Grande et Conte Biancamano, 1949, Andrea Doria and Giulio Cesare, 1950, Oceania, 1951), showcases the know-how of his country. - Milano, Sistemazione della “Rotonda” del Padiglione Italiano alla 16° Biennale di Venezia [2] Thanks to the magazine Domus, which he founded in 1928 and directed almost all his life, and thanks to his active participation in exhibitions such as the Milan Triennial, he was also an enthusiastic advocate of an Italian-style art of living and a major player in the renewal of Italian design after the Second World War. - Milano, Stabilimento Italcima all’angolo tra Via Crespi e Via Legnone He saw his facades as folded and perforated sheets of paper with geometric shapes. Architetto, designer e artista, Gio Ponti (Milano 1891-1979) si laurea a Milano nel 1921 e si associa inizialmente con Emilio Lancia e Mino Fiocchi dal 1927 al 1933. Fotografie, disegni, lettere, documenti, testi critici e dati. Asta 147 / Lotto 207: GIO. Visualizza altre idee su gio ponti, design del prodotto, innovation design. The 1960s and 1970s were dominated by international architectural projects in places like Tehran, Islamabad and Hong Kong where Ponti developed new architectural solutions: the façades of his buildings became lighter and seemed to be detached like suspended screens. Finally, he obtained an honorary doctorate from the London Royal College of Art. L'architettura è ormai un foglio traforato. Gio Ponti: scopri le opere e la biografia dell'architetto, designer e artista italiano. During the early 1930s, Gio Ponti and Piero Fornasetti started a long, productive, and somewhat formulaic collaboration, as it mostly consisted of Ponti-designed furniture decorated with Fornasetti … His daughter Lisa Licitra Ponti soon joined the editorial team. Quale è il tratto distintivo delle opere di Gio Ponti? 1934: De Bartolomeis villas, Val Seriana. In 1971, he participated in the construction of the Denver Art Museum in Colorado, taking care of the building's exterior envelope. - Garches, Parigi, Francia, 1928 The construction of the Rasini building (1933–1936) with its flat roofs marked the end of his partnership with Emilio Lancia around 1933. - Milano, Progetto per una casa d'abitazione in città 1971: Competition for the Plateau Beaubourg, 1976: Tile floors for the headquarters of the. 1928 Gio Ponti morì nel 1979 ed è sepolto nel Cimitero Monumentale di Milano. 1927-1928 This vast hangar was designed as an architecture laboratory, an exhibition space and a space for the presentation of studies and models. Next came the "fitted windows", for the manufacturer Altamira in particular and that he used for his apartment via Dezza. 1963: Continuum armchair for Pierantonio Bonacina, Lurago d'Erba, 1967: The Los Angeles Cathedral, sculpture.